Collins Park

PRESENTED BY The Bass


The works on view in Collins Park, presented by The Bass, evoke poetry and nature, while exploring themes like the effects of consumer culture, climate change and lost love. Rondinone’s totemic Miami Mountain (2016) and Weiner’s text-based SHELLS USED TO BUILD ROADS POURED UPON SHELLS USED TO PAY THE WAY, AT THE LEVEL OF THE SEA (2008) directly address the museum’s ocean-front context in Miami Beach, referencing its topography and adjacency to rising sea levels. Sylvie Fleury’s neon Eternity Now (2015) borrows from designer fragrance branding to call attention the city’s propensity toward material perfection, while also speaking to climate issues.

Installed at the museum’s reflecting pool on Park Avenue and 22nd Street, the newly acquired Too Much I Once Lamented (2019) by Susan Philipsz vocalizes a song dating from 1622 by Welsh composer Thomas Tomkins, which recalls the laments of a heartbroken lover. Using her own voice, the artist creates a madrigal song structure overlaying her recordings of the five parts to evoke solitude, isolation and longing–feelings, which have particular relevance during these times.

Promoting a sense of connectivity, Jim Drain’s Chess Tables (2014) solicits a participatory call to action and activity. In addition, a new work by Karen Rifas titled Hang in There (2020) occupies the 32 light pole banners encompassing the park’s perimeter, transforming advertising space into colorful, geometric artworks inspired by the surrounding architecture and environment.


Works on view

Miami Mountain, 2016
Ugo Rondinone

Hang in There, 2020
Karen Rifas

SHELLS USED TO BUILD..., 2008
Lawrence Weiner

Chess Tables, 2014
Jim Drain

Eternity Now, 2015
Sylvie Fleury

Too Much I Once Lamented, 2019
Susan Philipsz

Untitled structure 43..., 2017
Rafael Domenech

A Perfect Place, 2001
José Bedia

War Giro, 2005
Carlos Luna

Together, 2020
Arturo Herrera